“Radical" is a 2021 Mexican Comedy Film directed by Fernando Rovzar, starring Eugenio Derbez, Alessandra Rosaldo, and Ximena Romo. The story is based on a true story around the character of Emilio, played by Derbez, a successful businessman who unexpectedly finds himself forced to take a new turning point in his life after suffering a heart attack. When he is confronted by mortality, he embraces more adventure and unconventional lifestyle, such as teaching young adults at a public school in a "low-income neighborhood". He seeks on a series of bold and spontaneous actions, which allows him to learn valuable lessons about love, friendship, and the importance of living life to the fullest as he teaches his class. He develops humor and heartwarming moments, as he gets closer with his students. He learns the themes of self-discovery, personal growth, and the pursuit of happiness.

"My Generation" is a documentary film that explores the cultural revolution of the 1960s in Britain. Narrated by Michael Caine and directed by David Batty, the film combines archival footage, interviews with key figures from the era, and the narrator Caine's personal insights to provide a nostalgic and informative look at this transformative period in British history. The film includes a lot of archival footage from the 1960s, including iconic moments such as protests, music performances, fashion trends, and youth culture. The film has many Interviews with influential figures from the 1960s, including musicians like Paul McCartney and Roger Daltrey, photographer David Bailey, and actress Marianne Faithfull, these all give great insights into the era. There are many themes and topics covered throughout this documentary. Firstly, the film explores the music scene of the 1960s, including the rise of bands like The Beatles and The Rolling Stones. It also delves into the fashion trends of the time, highlighting the influence of designers and models. A large topic in the documentary discusses the social and political movements that defined the era, such as civil rights activism and protests against the Vietnam War. Lastly, It examines cultural shifts, how the youth of the 1960s challenged traditional norms and values, embracing new ideas of freedom, individuality, and self-expression. Overall, "My Generation" celebrates the creativity, activism, and cultural vibrancy of the 1960s in Britain, presenting a comprehensive and engaging portrayal of a pivotal moment in history.

In "Luca," culture is depicted as a rich tapestry of everyday life in the Italian Riviera. The film beautifully captures the essence of Italian culture through its vibrant portrayal of local traditions, cuisine, and community dynamics. From the colorful festivals to the mouthwatering dishes prepared with love and shared among friends, "Luca" immerses viewers in the warmth and authenticity of Italian life. Moreover, the film explores themes of acceptance and belonging as Luca, a sea monster, and his friend Alberto navigate the divide between their underwater world and the human society above. Through their interactions with the residents of Portorosso, "Luca" celebrates the universal values of friendship, empathy, and embracing one's identity, while also highlighting the importance of understanding and appreciating cultural differences.

While the film is set in a fictional Italian seaside town and features Italian cultural elements, it is primarily an American production with an international appeal. The film takes place in a charming Italian coastal town called Portorosso during the 1950s. It showcases various aspects of Italian culture, such as Italian architecture, cuisine, language (including some Italian dialogue), and the vibrant atmosphere of an Italian seaside community. The Italian influences stemmed from Director Enrico Casarosa, an Italian filmmaker and storyboard artist at Pixar, who drew inspiration from his own childhood in Italy for the film's setting and cultural nuances. The coastal setting, Vespa scooters, gelato shops, and traditional Italian festivals are reflective of Italian life and traditions. The film Luca aims to shed light on the beauty of Italian culture through the inclusion of diverse aspects and landscapes of the culture shown throughout. 

"Midsommar" is a 2019 Swedish horror film directed by Ari Aster, set in a rural Swedish village during the midsummer festival, known for its traditional customs and pagan rituals. The film has a Swedish setting and incorporation of Swedish cultural elements like maypole dancing and flower crowns. The film is an American production with international distribution and features a cast predominantly composed of American actors. Ari Aster drew inspiration from Swedish folk horror and traditions, creating a narrative that includes the  themes of grief, relationships, and cultural clash. "Midsommar" received global attention for its stunning visuals, psychological horror, and thought-provoking storytelling, sparking discussions about Swedish folklore and traditions while leaving an impression on audiences worldwide.

"Midsommar," directed by Ari Aster, is a haunting and visually stunning horror film that delves into the depths of grief, trauma, and the complexities of relationships. The story follows Dani, a young woman grappling with the recent loss of her family, who joins her emotionally distant boyfriend and his friends on a trip to a remote Swedish village to participate in a midsummer festival. As the festivities unfold, the group becomes increasingly entangled in the sinister rituals of the insular community, revealing disturbing secrets and escalating tensions. Blending folk horror with psychological thriller elements, "Midsommar" is a chilling exploration of the human psyche and the unsettling nature of tradition and belonging.

In "Midsommar," culture is depicted as both fascinating and deeply unsettling. The film presents a stark contrast between the American characters' modern, individualistic culture and the ancient, communal traditions of the Swedish villagers. As the Americans immerse themselves in the midsummer festivities, they are confronted with a culture that is vastly different from their own, marked by rituals, beliefs, and social structures that seem alien and unnerving. The film explores themes of cultural relativism and the clash between tradition and modernity as the characters grapple with their own biases and preconceptions. Through vivid imagery and eerie rituals, "Midsommar" highlights the power of culture to shape beliefs, behaviors, and interpersonal dynamics, ultimately questioning the boundaries between civilization and savagery.

"Crazy Rich Asians," directed by Jon M. Chu, is a romantic comedy that offers a glamorous and comedic glimpse into the lives of Singapore's ultra-wealthy elite. The story revolves around Rachel Chu, a Chinese-American professor, who accompanies her boyfriend, Nick Young, to Singapore for his best friend's wedding, only to discover that Nick is from one of the wealthiest families in Asia. As Rachel navigates the opulent world of Singapore's high society, she must contend with disapproving relatives, jealous socialites, and the pressure to conform to traditional expectations. Through its lavish settings, witty dialogue, and heartfelt moments, "Crazy Rich Asians" explores themes of love, family, and cultural identity, while also shedding light on issues of class and privilege within Asian communities.

In "Crazy Rich Asians," culture is depicted as a multifaceted and integral part of identity, family, and social dynamics. The film explores the clash between traditional values and modern aspirations within the Singaporean society. It delves into the intricacies of cultural expectations, particularly regarding marriage, and social status. Through the lavish settings, intricate costumes, and sumptuous food, the film celebrates the richness and diversity of Asian culture while also highlighting the tensions and challenges that arise when tradition intersects with contemporary values. Moreover, "Crazy Rich Asians" portrays the complexities of navigating cultural identity in a globalized world, as characters grapple with questions of belonging, authenticity, and the pressure to conform to societal norms. Ultimately, the film underscores the importance of embracing one's heritage while also forging one's path in a rapidly changing world.

"Minari" is an intimate portrayal of a Korean-American family's pursuit of the American Dream in rural Arkansas during the 1980s. Directed by Lee Isaac Chung, the film follows the Yi family as they navigate the challenges of starting anew, balancing cultural identity, and striving for prosperity. Anchored by superb performances, particularly from Steven Yeun as the determined patriarch Jacob, and Yuh-Jung Youn as the spirited grandmother Soonja, "Minari" beautifully captures the complexities of family dynamics and the resilience required to carve out a place to call home in a foreign land. With its tender storytelling and evocative cinematography, the film is a heartfelt exploration of love, sacrifice, and the pursuit of a better life.

"Minari" portrays the intersection of culture and identity within the Korean American immigrant experience. Through nuanced characterizations and subtle narrative choices, the film showcases the tensions and harmonies between traditional Korean customs and the American way of life. From the family's culinary traditions, embodied by the grandmother's preparation of Minari—a resilient Korean herb—to the children's struggle to reconcile their Korean heritage with their desire to fit in at school, cultural identity permeates every aspect of the story. Director Lee Isaac Chung delicately captures moments of cultural clash and convergence, inviting viewers to witness the complexities and richness of the immigrant experience in rural America. Ultimately, "Minari" celebrates the beauty of cultural heritage while illuminating the universal themes of family, resilience, and belonging.

The Grand Budapest Hotel whisks viewers away to a fictional European country teetering on the precipice of war. Wrapped in a whimsical narrative structure, the story unfolds through the memories of Zero, a former lobby boy at the renowned Grand Budapest Hotel. We meet him years later, recounting his experiences to an author. M. Gustave, the hotel's flamboyant concierge, becomes Zero's mentor, and together they navigate a world of quirky guests, art heists, and accusations of murder. Though the specter of war hangs heavy, the film explodes with quirky humor and a distinct visual style.

The Grand Budapest Hotel paints a nuanced portrait of culture, specifically how it can be a fragile construct. The grandeur of the hotel itself embodies a bygone era of European sophistication. Its immaculate facade, meticulously uniformed staff, and focus on impeccable service represent a society that valued civility and refinement. However, as the plot progresses, cracks begin to appear in this facade, mirroring the growing political instability in the country. The influx of aggressive thugs and the rise of a fascist regime threaten the established cultural norms. Through the lens of the declining hotel, we witness a microcosm of a society on the verge of collapse, where elegance crumbles and courtesy give way to violence. The Grand Budapest Hotel becomes a poignant reminder of how war can dismantle the very cultural touchstones that bind a community.